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He takes primary materials like rice, sawdust and string to bring reduction to photographs that he conjures up in darkish, shadowy varieties with sparse use of colour. While Stefan brims with confidence for the human spirit, as mirrored in the strong line and dynamic spirit of his photographs , the paintings nonetheless betrays a wholesome grip on actuality. Many of the works replicate the present political climate as Indonesia's vibrant new democracy faces an election this year. The article, penned by Júlia Tátrai, Head of the Department of Old Master Paintings at the museum, focuses on the acquisition of works…